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衣領(lǐng)上的唇印

衣領(lǐng)上的唇印

本片由6080提供播放

歐美劇
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導(dǎo)演:
上映:
1993
更新:
2025-09-15 05:33
劇情:
  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a..

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《衣領(lǐng)上的唇印》劇情介紹

6080提供影視作品衣領(lǐng)上的唇印高清全集在線觀看的影視全集網(wǎng),歐美劇《衣領(lǐng)上的唇印》全集作品的導(dǎo)演是內(nèi)詳   ,由Giles Thomas  Ewan McGregor  Louise Germaine  Peter Jeffrey  Clive Francis  主演,衣領(lǐng)上的唇印在豆瓣的評分為0.0,本片由小編于2025-09-15 05:33更新,希望大家喜歡,可以把《衣領(lǐng)上的唇印》推薦給你朋友,本作品的地址為 http://www.qinongyouxuan.cn/movie/142355.html

《衣領(lǐng)上的唇印》簡介:

  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.

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